Saturday, June 13, 2015

Honolulu Museum of Art Figure Drawing 6/08/2015 - Sergio - Short Poses

Sergio 6/08/15 Short 03 , 9"x12", Ink on Paper.
These are from the Monday drawing class at the Honolulu Museum of Art

I just bought some new watercolor brushes and was really desperate to try them out. So I was using Burnt Umber and Cobalt Blue watercolor for these. I like these two colors because they create a nice range of warms and cool tones and they cancel each other out very nicely to create a chromatic gray.

I really like these three short poses. So much so its that I wanted to make a separate post for them on the blog.

Above is the 10 minute pose. It was a pretty straight forward watercolor technique. I did a quick contour line drawing of the figure then added the watercolors starting from light then working to the darks.

The left hand is a little big. But other then that I really like this painting.

Sergio 6/08/15 Short 01 , 9"x12", Ink on Paper.
For the two 5 minute poses I drew a contour line drawing and then added the watercolor on another day. These actually came out very nicely. I may have to try this technique in the future as I am really satisfied with these two paintings.

This painting shows a lot of what I like about using the burnt umber and the Cobalt blue. The warm of the figures shoulder and face contrast nicely against the cool of the cobalt blue shadows. The chromatic gray that is created when the mix really makes for interesting shadowed tones.

Sergio 6/08/15 Short 02 , 9"x12", Ink on Paper.
This is the second of the 2 minute poses. I think i spent too much time getting the ears just right in the drawing phase. The watercolor looks great.

The Honolulu Museum of Art Figure Drawing class is every Monday at 7 PM. It is located at 1111 Victoria Street. There is a $10 class fee.

Friday, June 12, 2015

Honolulu Museum of Art Figure Drawing 6/08/2015 - Sergio - Gestures

Sergio 06/08/15 Gesture 08, 9"x12", Ink on Paper.
Monday was figure drawing at the Honolulu Museum of Art; I had a really good night.

I came to the session a little late. It's graduation season, and parking around the Art Academy was terrible. So I was walking into the class about 7:15. Apparently others also had this problem and when I walked in they were only starting the first of the gestures. 

I was kind of in a panic to start. So I started with what I am really great with, the Tombow pens. However by gesture four I realized this wasn't really going to help with what I had planned for the rest of the night. I just went to Fishers Hawaii earlier that day and bought new watercolor bushes that I really wanted to try. So I switched to a thin pen to mimic the contour line drawing I would have to be doing for the rest of the night. 

I really like the above gesture, number 8. It was an unusual pose, but I managed to capture a lot in the brief amount of time. The way the figure is splayed across the page is very dynamic. I also love the balance of the shaded areas on the page. I also find the differently weighted lines and their interactions very interesting. 

Sergio 06/08/15 Gesture 01, 9"x12", Ink on Paper.
I was using the gray Tombow then adding the black and the water afterwards. The effect created by this is really a lot of fun.

Sergio 06/08/15 Gesture 02, 9"x12", Ink on Paper.
This is a great pose and great gesture. The difference in tone creates a difference in the weight in the two legs. The darker back leg pushes deeper in the composition and the lighter leg pulls forward.

Sergio 06/08/15 Gesture 03, 9"x12", Ink on Paper.
This gesture has a Keith Haring feel to it. It could be the pose but it also could mean I over did the outline,

Sergio 06/08/15 Gesture 04, 9"x12", Ink on Paper.
This pose is hilarious. Looking at this gesture makes me laugh just remembering it.

Sergio 06/08/15 Gesture 05, 9"x12", Ink on Paper.
It was here I switched to the thinner pen. I focused on the figure's contour outlines and then with any remaining time I tried to block in the major shadow ares. This is to try and imitate the process I would have to zip through in the later poses.  Afterwards, like a day later, I added the crosshatching to the shade regions.

Above Number 5 is very dynamic. This is a great gesture.

Sergio 06/08/15 Gesture 06, 9"x12", Ink on Paper.
I like this gesture too. His arms are a little odd in this one but it's working in my opinion.

Sergio 06/08/15 Gesture 07, 9"x12", Ink on Paper.
I do not like this one at all.

Sergio 06/08/15 Gesture 09 , 9"x12", Ink on Paper.
For the last one I used the black Tombow and water to fill in the shadows. It creates a nice effect but I actually prefer the crosshatching.

The Honolulu Museum of Art Figure Drawing class is every Monday at 7 PM. It is located at 1111 Victoria Street. There is a $10 class fee.

"See, when I paint, it is an experience that, at its best, is transcending reality. When it is working, you completely go into another place, you're tapping into things that are totally universal, completely beyond your ego and your own self." ~ Keith Haring