|End of Day 4|
Magic day is right. It is really coming together.
This course seems like the corollary to the artistic theory for the New York Academy of Art. We learn anatomy and the body structure so that we can make more striking figures. So when we look at a human model or a photograph we can infer the anatomy to define the forms. In this class we are given the structure (the skull) and then asked to create the portrait from that information.
There is not a lot of information about the lips recorded in the skull. There is an average correlation between lip size and enamel size and you can get the general width from the eye placement. I made them subtle, as a lot of lip definition is from a color change not necessarily a form change.
So the physical remains were specific about a hair length. It also specified a style-- hair in a scrunchie. I quickly blocked it in and made the general shapes.
Joe recommend that we text the photo of the skull to people and ask for the age, gender and race of the subject to see if our sculpture is in the ball park.